I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
I love this book because it has a gripping story that keeps you guessing and flipping pages. I also love it because it showcases a strong, female, Native protagonist solving a mystery and acting with agency, power, and knowledge of self. It does a lot to disrupt the victim narratives about Indigenous people we have often seen in literature.
I also love this one because Angeline Boulley is really connected to her own Native community, and it shows up in the work. It gives you a window into Ojibwe culture rather than an imagining of the culture.
A PRINTZ MEDAL WINNER! A MORRIS AWARD WINNER! AN AMERICAN INDIAN YOUTH LITERATURE AWARD YA HONOR BOOK!
A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB YA PICK
An Instant #1 New York Times Bestseller
Soon to be adapted at Netflix for TV with President Barack Obama and Michelle Obama's production company, Higher Ground.
“One of this year's most buzzed about young adult novels.” ―Good Morning America
A TIME Magazine Best YA Book of All Time Selection Amazon's Best YA Book of 2021 So Far (June 2021) A 2021 Kids' Indie Next List Selection An Entertainment Weekly Most Anticipated Books of…
I love this book because the characters Eli and Nector seem so familiar to me. The plot is full of tension, but the characters are genuinely humorous and affable, much like the elders I know across Ojibwe country.
This book also gives a window into Ojibwe culture. Louise Erdrich is a Pulitzer-prize-winning author, and this isn't even her biggest seller, but it's definitely my personal favorite.
“[Erdrich] captures the passions, fears, myths, and doom of a living people, and she does so with an ease that leaves the reader breathless.”—The New Yorker
From award-winning, New York Times bestselling author Louise Erdrich comes an arresting, lyrical novel set in North Dakota at a time when Indian tribes were struggling to keep what little remained of their lands.
Tracks is a tale of passion and deep unrest. Over the course of ten crucial years, as tribal land and trust between people erode ceaselessly, men and women are pushed to the brink of their endurance—yet their pride and humor…
Cherie Dimaline's book really spoke to me because, in addition to great story-telling, it sets Native people in a post-apocalyptic setting.
As Native people, we are so often portrayed as ancient rather than modern. So this work connected the ancient and the modern in a novel way. With relatable characters searching for family and community, it was relatable and real even in the world the book describes.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
I loved this book because it grapples with some of the really tough topics that our people have to face.
The characters were relatable and dynamic. I think America and Canada need a wake-up call and an effort to reconcile with their historical treatment of Native people, especially with regard to residential boarding schools. People can only handle calls to justice when they relate to those who were treated unjustly.
In spite of the heavy topics, this book does that really well.
Named a "Best Novel of the Decade" by Literary Hub
Saul Indian Horse is a child when his family retreats into the woods. Among the lakes and the cedars, they attempt to reconnect with half-forgotten traditions and hide from the authorities who have been kidnapping Ojibway youth. But when winter approaches, Saul loses everything: his brother, his parents, his beloved grandmother—and then his home itself.
Alone in the world and placed in a horrific boarding school, Saul is surrounded by violence and cruelty. At the urging of a priest, he finds a tentative salvation in hockey. Rising at dawn to…
I really liked Tommy Orange's book because it places Native people in an urban context, which is where the majority of Native Americans live. It showed the adaptations our people make to urban environments while maintaining connections across generations. It shows that being Indigenous is "of the land" even when someone is displaced from the exact piece of land they came from through the reforging of community and connection.
The storytelling is constructed in an interesting way, too, because multiple characters, each on their own tense journey, start converging and colliding with one another in a great crescendo to the narrative.
** Shortlisted for the 2020 International Dublin Literary Award **
One of Barack Obama's best books of 2018, the New York Times bestselling novel about contemporary America from a bold new Native American voice
'A thunderclap' Marlon James 'Astonishing' Margaret Atwood, via Twitter 'Pure soaring beauty' Colm Toibin
Jacquie Red Feather is newly sober and hoping to reconnect with her estranged family. That's why she is there. Dene is there because he has been collecting stories to honour his uncle's death, while Edwin is looking for his true father and Opal came to watch her boy Orvil dance.
Ezra Cloud hates living in Northeast Minneapolis. His father is a professor of their language, Ojibwe, at a local college, so they have to be there. But Ezra hates the dirty, polluted snow around them, being away from the rez at Nigigoonsiminikaaning First Nation, and the local bully in his neighborhood, Matt Schroeder, who terrorizes Ezra and his friend Nora George.
Ezra gets into a terrible fight with Matt at school; that same night, Matt’s house burns down. Instantly, Ezra becomes a prime suspect. Knowing he won’t get a fair deal and knowing his innocence, Ezra’s family sends him away to run traplines with his grandfather in a remote part of Canada while the investigation is ongoing. But the Schroeders are looking for him…
On the run from her abusive husband, Kyra Smith hits the road. Destination unknown. With a dog she rescued in tow, she lands in the peaceful California mountain town of Gold Creek and is immediately befriended by an openhearted group of women who call themselves the Tattooed Ladies. They’re there for Kyra—and for each other.
The maternal Frannie is a tattoo artist struggling with a troubled daughter. Suzy is a self-described fashionista grandma bearing a painful estrangement from her son. Then there’s Jo, whose storybook marriage is shadowed by a grim medical diagnosis. And bookstore owner Marisol. She longs for…
A woman escaping a violent past finds new friendships, romance, and tenuous sanctuary in an emotionally gripping novel by New York Times bestselling author Eileen Goudge.
On the run from her abusive husband, Kyra Smith hits the road. Destination unknown. With a neglected dog she rescued in tow, she lands in the peaceful California town of Gold Creek and is immediately befriended by an openhearted group of women called the Tattooed Ladies Club. They're there for Kyra-and for each other.
The maternal Frannie is a tattoo artist struggling with a troubled daughter. Suzy is a self-described fashionista grandma bearing a…
